Latin music producer MoeZart has been making noise with his production in recent years, working with various artists across the urban genres specializing in trap, R&B, reggaetón and synthwave.
Owner and operator of MoeZart Studios, located in Vancouver B.C., he has built a clientele of artists and has built a network and a team of hardworking individuals that offer services from production to mixing and mastering.
His most recent drop is the Xol333-assisted “Silencio,” which hit digital streaming platforms this past Halloween.
MoeZart Beats Interview
HipHopCanada: How long have you been involved in music? And how did production become your creative outlet?
MoeZart Beats: I’ve always been involved in music in some way. We all start as students of the game, fans of our favourite artists, always chasing the newest sounds that inspire us. For me, that passion led to writing and rapping with friends. Eventually, I needed beats, so I bought equipment and taught myself how to produce. Music has always been therapy for me. No matter how you’re feeling, you can start with a fresh canvas and create something one of a kind. That’s the beauty of art — you’re never wrong. And today, with new plugins and AI evolving every year, the canvas is even bigger. I see these as new tools, just another instrument in the studio.
HipHopCanada: Having the opportunity to work with various upcoming artists, how has the scene in Vancouver evolved since you started your musical career?
MB: I’m really appreciative to work with local talent that’s been bubbling in the city, especially in the Latin community. Growing up in Vancouver, the Latin scene was small, but now it’s evolved so much. There’s so much hidden talent here, and it’s inspiring to see young, hungry people with the same dream I had. I’ll always show respect to the ones who opened doors for us in the Latin community, and I hope to do the same for the next generation. Vancouver’s sound is becoming more international, and I’m proud to be part of that wave.
HipHopCanada: What are your favourite genres to work with? And are there any genres you haven’t worked with that pique your interest creatively?
MB: I started as a hip-hop and R&B producer — those are my roots. But I never wanted to stay in a box. That’s why I moved into reggaetón, Afrobeats, and House, blending genres to create a modern, futuristic global sound. Lately, I’ve been working on a Latin house project which feels like a natural step for me. I think the future belongs to artists and producers who aren’t afraid to mix cultures and styles to create something new.
HipHopCanada: What is your goal as a producer primarily based in Canada?
MB: I plan to cross borders — connecting with artists from abroad and traveling to South America and Asia to expand my reach. I’ve never seen myself as just a producer; I write songs, make hooks, and build top-line melodies. I’ve been writing full records and pitching them to the right artists.
At this point, I just want to make music that makes you feel good and makes you want to move, whether that’s house, reggaetón, or pop. I want to prove that you can create world-class music from Vancouver, Canada that speaks to a global audience.
HipHopCanada: Who do you listen to for inspiration?
MB: I’m always tuned in to the newest and latest. I even make my own monthly, genre-specific playlists on Spotify so people can see what I’m listening to. To name a few: Sauce Walka, Larry June, Don Toliver, Bad Bunny, Feid, and Felix Cartal.
HipHopCanada: What challenges have you met in the music industry, and how did you overcome them?
MB: The biggest challenge is staying true to yourself and your craft. There’s always noise, trends, and distractions, but you have to stay locked in. For me, it’s about consistency, building a strong team, and never letting anything block your vision. If you want it bad enough, you’ll always find a way.
Photo: Supplied
HipHopCanada: If you were given an opportunity to produce a record for any artist (living or dead), who would it be and why?
MB: That’s a hard question — there are so many artists and producers I’d love to work with. Alive, it would have to be Feid, Mora, or Tainy. From those who passed, I’d say The Jacka or Young Dolph. Both inspired me a lot growing up, not just through their music but through their humbleness and the message they carried.
HipHopCanada: Any advice to up-and-coming producers who want to take this career path seriously?
MB: Bet on yourself. If you don’t believe, why should someone else? Invest in your craft, build a team, and be consistent. Music is always changing — it’s evolving faster than ever. You either keep up with the times or get left behind. But, no matter how the tools change, stay true to your sound.
HipHopCanada: Any artists that should be on our radar?
MB: Definitely my team — Los Socios, Xol333, and Vivi. RamenCoke’s an amazing producer and engineer. I’ve also been working with a lot of great people lately — Keylo & Hoonzie, Goldkid, Foreign E, Terrell Safadi, Cerbeus and the Capital Wave team.
And of course, a big shoutout to Tiago Vasquez, we’ve got new music coming that I’m really excited about.
HipHopCanada: What can we expect from Moezart in the near future?
MB: I’m always looking for new talent. I’ll continue doing a lot more songwriting and pitching full records to artists, labels, and sync licensing opportunities. I’m currently executive producing solo projects for Vivi and Xol333, and continuing to build with the Los Socios team. I’ve got a new album coming with Tiago Vasquez, and I’ll also be releasing more of my own house records soon — blending house with Latin rhythm to create a new wave of sound.
For more on MoeZart Beats, follow @MoeZartBeats on Instagram.
